Archive for : June, 2020

Virtual Design Festival Extended To 10 July Due To Strong Demand

This image has an empty alt attribute; its file name is BB15chFn.Img
Write caption…

 © Provided by Dezeen

Dezeen’s Virtual Design Festival will be extended for an additional 10 days until 10 July due to demand from brands that want to participate.

The festival, which started on 15 April, was originally due to end on 30 June. However, with the schedule already full and more brands wishing to take part, Dezeen has decided to extend VDF, which is the world’s first online design festival.

“We’re delighted that Virtual Design Festival has been such as success,” said Dezeen founder and editor-in-chief Marcus Fairs. “We’re hugely grateful to all the brands, organisations, designers and architects that have worked with us to make such a success of the festival.”

VDF has been a huge success, receiving over a million page views and 1.5 million video plays to date.

Financial Times praises “Alice in Wonderland” festival

The festival has generated press coverage around the world, with the Financial Times this weekend describing it as “an Alice in Wonderland-style rabbit warren for design enthusiasts”.

“Start clicking and you’ll emerge hours later,” the FT wrote, listing highlights including “Studio Drift’s drone performance over Rotterdam, a tour of Schloss Hollenegg hosted by a princess and cocktail-making classes at Milan’s Bar Basso”.

VDF is “spirit-lifting,” says BBC

Among other press coverage, the BBC described VDF as “spirit-lifting, feel-good culture to enjoy during lockdown” while National Geographic said it “brings a trove of architecture, exhibits, and events online”.

The Evening Standard said the festival was “rescuing cancelled spring and summer shows with a free online feast of style”.

VDF has so far featured 374 separate pieces of content including 30 live interviews, 90 product launches and 33 collaborations with cultural organisations, musicians, designers and brands. See what’s coming up at VDF in the schedule.

About Virtual Design Festival

Virtual Design Festival (www.Virtualdesignfestival.Com) is a platform established by Dezeen designed to bring the architecture and design world together to celebrate the culture and commerce of our industry, and explore how it can adapt and respond to extraordinary circumstances.

It hosts a rolling programme of online talks, lectures, movies, product launches and more. It complements and supports fairs and festivals around the world that have had to be postponed or cancelled due to coronavirus and it provides a platform for design businesses, so they can, in turn, support their supply chains.

Source: judi poker online

The Walker Art Center Officially Cuts Ties With Minneapolis Police—will More Museums Follow Suit?

As protests continue across the country, cities are being forced to grapple with the realities of police violence and systemic racism. As part of that examination, some organizations are taking a closer look at their relationship with local police departments.

On Wednesday, the Walker Art Center in Minneapolis became the first major museum to cut ties with the police. It announced that it will no longer use the Minneapolis Police Department for special events until “meaningful change” is in place, including demilitarization of training programs, officer accountability for excessive force, and communities of color being treated with dignity and respect.

The announcement comes in the wake of the death of George Floyd, an unarmed black man who died while in police custody on May 25. The Minneapolis Park Board and Minneapolis public schools have also ended their contracts with the police, which will no longer staff park-sanctioned events or serve as school resources officers.

Museums and other organizations often hire off-duty police officers as security for special events. While there’s no specific information about the relationship in Minneapolis, a 2016 study found that about 80% of non-federal agencies allow the practice, and tens of thousands of officers put in millions of hours a year doing so.

The Minneapolis Institute of Art followed the Walker’s lead, stating that it “will no longer contract with off-duty police officers from the MPD,” according to Artnet. While many museums around the country have issued general statements, so far the two Minneapolis institutions are the only ones to officially cut ties. On Instagram, the Guggenheim posted that “we are listening, we are grieving with you, and we support collective action in calling for social justice.” The Metropolitan Museum of Art said it “affirmed The Met’s solidarity with the Black community, recommitted to our ongoing efforts to diversify our institution.” MoMA created a list of resources in support of justice and equality as a “place to start.”

Fast Company reached out to the Whitney Museum of American Art, the Guggenheim, the Metropolitan Museum of Art, the Art Institute of Chicago, the Museum of Contemporary Art Chicago, and SF MoMA to ask if they had plans to cut ties with local police forces and to comment on any existing relationship. None of the institutions responded before publication.

The way that museums respond to this particular moment will be particularly fraught, considering the lack of diversity in their permanent collections—a 2018 study revealed that 75% of artists in major U.S. Museums were white men and just 1% of artists were women of color.

Curatorial diversity is subpar as well: According to a 2018 survey that evaluated the ethnicity and gender diversity of art museum staff, just 4% of curators were black. Making their collections and curators more representative of the communities they serve, in addition to instituting social justice and anti-racist policies in operations, research, and acquisition, will be an uphill battle. But, it goes without saying, a necessary one. Certainly, announcements from other institutions might come. As MoMA wrote, this is just the beginning—but it seems the Walker might have a head start.

Source: judi deposit pulsa

Become Your Own Interior Designer With One Of These Online Classes

You’re spending a lot of time at home these days. Your kitchen table is now your home office and your living room doubles as a yoga studio and third grade classroom.  It’s hard not to closely examine your surroundings and get the itch to rearrange the furniture and spruce things up a bit.

Rethinking your space can provide a welcome distraction and offer a sense of control in these uncertain time. But before you start aimlessly scouring the internet for furniture configurations and paint colors, consider educating yourself in the art of interior design by enrolling in an online course. There are tons of great online classes that are affordable and will give you the tools and insider knowledge to become more confident in making home decor decisions.

More from SheKnows

To set you on the right path, we’ve compiled a list of our favorite online interior design courses for beginners.  These classes can help you improve your surroundings and make this time at home feel a little brighter and more productive.Kelly Wearstler’s Masterclass

Award-winning interior designer Kelly Wearstler helps demystify interior design and guides you through the design basics in this 17 lesson course.  Kelly will help you make any space feel larger, and choose colors, materials, and textures with confidence.Interior Design Basics

With interior designer Lauren Cox you’ll discover the four principles used by design professionals to create beautiful spaces every day—then try your hand at using what you’ve learned to style a bookshelf that’s Instagramable.Feng Shui Home Makeover

Feng Shui may seem like an overwhelming task to take on but this course breaks it all down and teaches you how to make your home work for you in the most efficient way possible. The class features over 37 video lessons, 40+ pages of resources and 11 modules packed with DIY tips, tools and exercises.

Story continuesStyle Your Space with Emily Henderson

Go behind the scenes with acclaimed stylist Emily Henderson as she reveals how she creates rooms and spaces that feel fun, creative and unique for every friend and client she works with—and guides you to do the same. No matter your style or budget, you’ll discover tips to freshen up your space. Plus, Emily’s a joy to watch!How to Design a Room in 10 Easy Steps

In this beginner-level course from Udemy, you’ll learn how to completely design a room end-to-end using a simple 10-step approach.  From floor plans and maximizing your space to creating a cohesive color scheme, this approachable course is perfect for an interior design novice who wants to create functional and aesthetically pleasing rooms in their home.Interior Design Ultimate Essentials & Insider Tricks

Take your design education to the next level with this course from Skillshare on design theory and insider industry skills. This 1-hour course led by Toronto designer Boki Kwok, is filled with examples that break down abstract design concepts and demonstrates how to apply useful design techniques in your own home.Minimalist Interior Design Deconstructed

During these stressful times we could all benefit from a little more mental clarity and calmness. In this 2-hour course, you’ll learn how minimalist design can create a beautiful, simplified space that can increase your productivity. This course is perfect for those who have already Kondo-ed everything in their home and are now ready to make their clutter-free space functional.Decorate Like a Boss

Seattle based designer, Rose Stanek, teaches you exactly how to layout your floor-plan, work with color, accessorize, and much more.

Need more home design inspo? Check out our slideshow of the best places to snag patio furniture below.

Our mission at SheKnows is to empower and inspire women, and we only feature products we think you’ll love as much as we do. Please note that if you purchase something by clicking on a link within this story, we may receive a small commission of the sale and the retailer may receive certain auditable data for accounting purposes. 

Source: judi slot pulsa

How Normie Minimalism And Farmhouse Chic Took Over Contemporary Design

When one thinks of minimalism, they may picture a sculpture by Donald Judd or a piece of music by Philip Glass. Architecturally, their mind may dwell in the realm occupied by sparse, cubic forms and white, empty window-walled rooms filled with naught but a rug, a monstera plant, and a mid-century sofa, perhaps framed by tasteful stairs. Indeed, this is the aesthetic that has been sold to consumers of high design for decades now in the pages of Dwell and the endlessly scrollable interfaces of websites like designboom and ArchDaily. It’s the aesthetic that has been co-opted by Silicon Valley headquarters, your Instagram feed and AirBnBs alike, one that has described by the critic Kyle Chayka as “airspace”:

“[Airspace is] the realm of coffee shops, bars, startup offices, and co-live / work spaces that share the same hallmarks everywhere you go: a profusion of symbols of comfort and quality, at least to a certain connoisseurial mindset. Minimalist furniture. Craft beer and avocado toast. Reclaimed wood. Industrial lighting. Cortados. Fast internet.”

Minimalism’s ubiquity in the world of “good design” is well known and well documented. However, in the world of the popular commercial vernacular, it’s managed to go relatively unnoticed, likely because it takes a slightly different aesthetic form, one less peppered with the signifiers of modernist good taste. It does this in the same way Chayka’s airspace colonizes cafes and co-working spaces: through media saturation. In order to explain this form and how it wormed into television sets and later into homes around the country requires an explanation of what came before.

An emblematic co-working space with potted plants (image via and courtesy Piqsels)

Minimalism is one of those words that is reaching a breaking point as to how many things it can possibly mean. Minimalism refers to anything from Marie Kondo’s decluttering ethos to any architectural form devoid of a gable. It has become a stand-in for the equally vague “contemporary.” Succinctly put, minimalism writ large has come to mean a combination of modern design and the ethos of living with less.

Minimalism, in the historic sense, refers to a movement in art and music dating back to the 1960s and ‘70s whereby artists created sculpture, painting, and musical composition using themes of large scale, cubic and geometric forms, industrial materials, limited palette, and repetition. This movement was an extension of the earlier Abstract Expressionist and Op Art movements in art; in music its origins lie in serialism. Ad Reinhardt, an Abstract Expressionist painter whose monochrome paintings are frequently seen by art historians as a precedent to Minimalism, described his work’s artistic underpinnings succinctly: “The more stuff in it, the busier the work of art, the worse it is. More is less. Less is more. The eye is a menace to clear sight. Art begins with the getting rid of nature.”

Architecturally speaking, the “less is more” dogma begins much earlier than the 1960s. While Minimalism was not a movement that extended explicitly to architecture (which, in the 1960s was in a very different place aesthetically than art), its ethos can be found in the oft-quoted aphorisms and manifestos of Le Corbusier, Mies van der Rohe, Walter Gropius and other kingpins of early 20th century International Style architecture. However, aside from the obvious aesthetic heritage of European modernism, there is an important and underemphasized architectural link to the Minimalism of the 1960s, namely regarding the places in which it originated.

*  *  *

The SoHo neighborhood of New York City was once a thriving hub of industrial activity. Its 19th-century cast-iron loft buildings once served as the backdrop of garment manufacturing, machine shops, and warehouses. The loft building, characterized by being three to five stories in height, floors consisting of thick beams of wood supported by thin cast iron columns, was once the pinnacle of 19th century structural engineering, and for centuries served their purposes as sites of light industry. However, by the post-war period, these structures had long outlived their usefulness in trades such as manufacturing or warehousing. Structurally, they were inefficient for the machinery and workflows of modern industrial production, which was increasingly being farmed out to massive sprawling factories outside the city. The lofts’ urban profile — narrow buildings tightly packed together on even narrower streets — made shipping and logistical operations increasingly difficult. As a result, by the 1960s, blight and business abandonment made SoHo a prime target for the mid-century urban renewal schemes — and yet, much of SoHo was spared the wrecking ball, thanks to the efforts of a specific constituency: artists. In SoHo, artists could rent or purchase a large amount of interior space for cheap, all while being close to transit and the previous arts hub of Greenwich Village, which was increasingly becoming unaffordable. There were downsides, however: The lofts were often structurally deficient, and living in a building zoned for commercial or industrial use was illegal, yet, the artists, including such Minimalist luminaries as Donald Judd and Philip Glass persevered — and thus the minimalist “loft aesthetic” was born.

Source: togel online via pulsa